I met Hannah Gross (Abby) when she was two days old. Our parents are close friends – I think they all met in Ottawa around the National Arts Centre. My mother lived in Belfast at the height of the troubles – she left as soon as she could, moving to Manchester to study drama. My dad comes from an old English theatre family. Both his parents were actors. His mother’s parents were actors, too.

Hannah and I had very different upbringings – Hannah going to an all girls private school in a large metropolis and me going to public school with kids who were mainly the children of farmers and laborers in the auto parts factories of southern Ontario. However, our lives have always had odd parallels, and in our fairly regular visits with each other, we’d find ourselves having similar attitudes and, often, the very same jackets.

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I think the period after we both left high school was sort of a new era in mine and Hannah’s friendship – partly because we could get into bars and partly because we’d both (at least partially) come out of a rather extensive awkward period (adorable children, but absolutely hideous teenagers) and were attempting, in a somewhat chaotic manner, to construct the lives we wanted for ourselves, me in London and Hannah in New York.

Matt offered me the part of Taryn a week before my birthday and a week after Hannah had been cast as Abby. Our ideas about the characters aligned completely. It was so surreal: how these characters were so invariably connected despite growing up in completely different circumstances, how we’d both come into a position of playing these characters – it is a spectacular convergence both for Hannah and my friendship and for the ideas we have about humanity and art that we find reflected in this script.